As I researched Ella May Wiggins in order to write a song for a cd commemorating her life and work (see posts: about the project, the cd release party, and the Gaston Gazette article), I was fascinated by the fact that Ella May Wiggins (a white woman) chose to live in Stumptown (a majority black neighborhood) during the segregated south. Her advocacy was not only for poor whites but poor blacks as well, so I wrote a song with a gospel, call and response feel. I used a simple structure with the repeated response "dark clouds are lookin' like rain" and a methodical, driving rhythm so that the song sounds as if it could be used on a picket line or in a field picking cotton. I recorded the demo using only finger snaps and mostly sing it a cappella. It’s meant to be sung by a group in a loose, improvisational style with people making up vocal riffs or even verses on the spot.
The verses I wrote do not directly refer to Ella May or the Loray Mill strike. I used general descriptions of injustice to refer to historical (as well as current day) problems such as the increasing disparity between rich and poor and the violence visited upon those without power ("shoot you down" referring to Ella May and numerous other historical activists as well as unarmed black men that have been killed by police). The oft quoted "Nothin’ to lose but chains...” is a direct reference to the Marxist roots of the strike. The song is unapologetically dark and defiant to pay homage to those who have lost their lives fighting for justice. But the last verse contains an edge of hopefulness that if we can all pull together we could perhaps avoid the coming storm.